一、研討會緣由
2013國際設計史研討會與工作營(2013The International Design History Symposium and Workshop)，由國立雲林科技大學設計學院工業設計系與英國倫敦藝術大學共同舉辦，於2013年6月27、28日於國際會議廳舉行，歡迎蒞臨指教。 本次研討會的緣由於2009年倫敦藝術大學國際設計史權威菊池裕子 (Dr. Yuko Kikuchi) 與Dr Wessie Ling，邀請國立雲林科技大學工業設計系楊靜老師向英國「藝術與人文研究委員會」(Arts & Humanities Research Council, AHRC)申請跨國研究計畫，到2011年才申請成功。此次研討會由國立雲林科技大學工頁設計系楊靜老師與翁注重老師共同籌辦，由菊池教授號召英國、日本、韓國、中國大陸、加拿大與台灣等，18位不同領域的工藝/產品設計、流行設計與視覺傳達設計之史學專家學者，前來本校進行國際設計史研討會與工作營。受邀的國際專家學者名單如下：
| Name | ||
| Discussant | Prof Liao Hsin-tien廖 新田 | National Taiwan University of Arts |
| Craft/Product | Dr Yuko Kikuchi菊池裕子 | University of the Arts London |
| Craft/Product | Mr Takuya Kida木田 拓也 | Museum of Modern Art Tokyo |
| Craft/Product | Dr Boyoon Her허보윤 | Seoul National University |
| Craft/Product | Dr Ming-Chuen Chuang莊 明振 | National Chiao Tung University |
| Craft/Product | Dr Ching Yang楊 靜 | NYUST |
| Craft/Product | Dr Ju-Joan Wong翁 註重 | NYUST |
| Fashion | Dr Juan Juan Wu吴绢 | University of Minnesota |
| Fashion | Dr Wessie Ling | University of the Arts London |
| Fashion | Dr Hiroshi Narumi成実 弘至 | Kyoto University of Art and Design |
| Fashion | Dr Jaeyoon Yi이재윤 | SOAS |
| Fashion, Craft/Product | Dr Yasuko Suga菅 靖子 | Tsuda College |
| Graphics | Dr Wendy Siuyi Wong黄少儀 | Swinburne University of Technology |
| Graphics | Dr Lu Weirong陸偉栄 | Waseda University |
| Graphics | Prof Toshino Iguchi井口壽乃 | Saitama University |
| Graphics | Dr Yunah Lee이윤아 | University of Brighton |
| Graphics | Dr Young Chul Kim김용철 | Jeonju University |
| Graphics | Dr Tsun-Hsiung Yao姚 村雄 | National Kaohsiung Normal University |
二、研討會主題
本次研討會的議題：Translating and Writing Modern Design Histories in East Asia for the Global World，其主旨有別於現行西方以英語為母語的詮釋，從當地的角度，重新審視東亞設計發展歷史，旨在加強當地與全球對未來的論辯與理解，並創造新的框架。希望能讓東亞設計史的研究能更臻成熟興盛，並促使更多專家學者，共同參與有關東亞的政治、文化與設計的發展歷史等研究領域。 本次受邀之18位專家學者，根據以下四個主題撰稿，預定於6月27日公開發表，歡迎校內師生與國內專家學者，蒞臨指教。
1.1920-40年代的跨國發展與交流 Interactions and transnational development in the 1920-40s
2. 國家認同與問題的真實性 National identity and question of ‘authenticity
3.可譯性/不可譯性/可通約性/不可通約性 Translatability/untranslatability/commensurability/incommensurability
4.專門用語 Terminology
三、研討會議程 Programme
Programme
10:00-10:50 Opening and Introduction (Yunlin Dean, Ching Yang and Yuko Kikuchi)
Section 1
10:50-11:00 Introduction (Yuko Kikuchi)
11:00-11:20 Paper 1: Takuya Kida, ‘”Japanese-ness/Korean-ness” in Crafts Works in
1920-30s: From the Works in Two Government Sponsored Competitive
Exhibition, Teiten and Senten’
11:20-11:40 Paper 2: Boyoon Her, ‘The Formation of the Notion of Craft in the
Korean Modern Age’
11:40-12:00 Paper 3: Ching Yang with Ming-Chuen Chuang, ‘The Influence of Foreign
Experts’ Guidance and Talent Cultivation for Industrial Design of Taiwan
in 1950s and 1960s’
12:00-12:20 Paper 4: Ju-Joan Wong, ‘The Image of Modernisation: Made in Taiwan
(MIT)’
12:20-12:40 Q&A
12:40-14:00 Lunch break
Section 2
14:00-14:10 Introduction (Wessie Ling)
14:10-14:30 Paper 5: Jae-yoon Yi, ‘”Modern girl (毛斷)” in Korea 1920s and 1930:
The visible and invisible ideal ‘Modern girl’ image and fashion in Korea’
14:30-14:50 Paper 6: Yasuko Suga, ‘Crafting a Bridge between China and Japan:
Jiyū Gakuen Beijing School 1938-45’
14:50-15:10 Paper 7: Hiroshi Narumi, ‘The Role of Cultural Identity in Japanese
Design’
15:10-15:30 Paper 8: Juanjuan Wu, ‘Shaping Chinese Fashion Identity: Inter-Asian
Influences in the Case Studies of Six Fashion Designers’
15:30-15:50 Q&A
15:50-16:10 Tea break
Section 3
16:10-16:20 Introduction (Yunah Lee)
16:20-16:40 Paper 9: Weirong Lu, ‘Book Design in Japan and China: From Lu Xun,
Tao Yuanqing, Chen Zhifo, to New
China’
16:40-17:00 Paper 10: Yongcheol Kim, ‘Dada and Constructivism in Korean Modern
Graphic Design’
17:00-17:20 Paper 11: Toshino Iguchi, ‘Visual propaganda in colonial Taiwan: The
Taiwan Exposition commemorating the 40th anniversary of Japanese
rule
17:20-17:40 Paper 12: Tsun-Hsiung Yao with Chu-Yu Sun, ‘The Enlightenment of
Taiwan Modern Design during the Japanese Colonial Period (1895-1945)
17:40-18:00 Q&A
18:00-18:10 break
18:10-19:00 Discussant Liao Hsin-tien’s comments and further Q&A